Ascension in The Malazan Book of the Fallen
(Yes, Anomander Rake really is that awesome)
We've all read the books in which death is cheap, or protragonists perish only to reappear - with the reader never expecting otherwise. Guess what? It cheapens the drama, but it can certainly be done well. I'm not going to argue that all of the resurrections in the Malazan series were necessary, but the system of Ascension - in which a mortal ascends to become a sort of proto-God, and can then rise further depending on worship - definitely deserves acknowledgment here. Ascension is a mysterious process, but it can be triggered by a number of things: including, it seems, death (if the character would ascend anyway - for example, several characters complete monumental sacrifices and achievements, such as Itkovian). Although this might seem a cheap 'get out of death free' card for our favourite characters, the nature of Erikson's Ascendants is as restrictive and changing as it is awesome, and characters such as Shadowthrone and Cotillion are changed by it. In this way, the tragedy of many deaths in the Malazan series avoids being reduced by the resurrection of the character concerned: in, at least, a few cases...
...Because there are definitely some where resurrection doesn't work.
(You can check out Gardens of the Moon on Amazon here: Gardens of the Moon (Malazan Book of the Fallen)
The New Era
The Ice Age of Legends of the Red Sun
Every second fantasy out there claims its events usher in a 'new era' for its world: and normally it's just a marketing spiel. Nothing really changes - except the protagonists are frequently in charge. Mark Charan Newton's Legends of the Red Sun buck the trend excellently: the Jamur Empire is in a period of more than political change. Newton's fantasy is transformative - the Empire is facing an encroaching ice age which brings refugees from the islands to the cities, forcing social charge amidst the threat of starvation. The politics become about more than leadership - the burden of the incoming peoples, as well as a recently-appeared gateway to another world, make the Empire's choices far harder: and much more interesting for it! Newton handles the situation adeptly, especially amongst the siege of City of Ruin: mingling Mieville-esque racial and social tensions and the struggle for survival in what could quite readily be called a masterpiece of a novel. My review of City of Ruin is upcoming (it lived up to the promises, though!) and you can find my review of Nights of Villjamur here.
Nights can be found on Amazon here: Nights of Villjamur (Legends of the Red Sun)
Protagonist from the Ashes:
Blaise de Garsenc in A Song for Arbonne
As suggested by the comment of Lightning Tree Live (which you can find on my blogroll - check it out, there are some truly excellent reviews). Well, this is possibly the convention of an awful lot of fantasy: for some reason, the protagonist is estranged from his or her family. Maybe their village was destroyed by goons. (The titular ashes). You've heard this before from me, but here it comes again: it can be done well. And my choice for this is the protagonist of Guy Gavriel Kay's excellent A Song for Arbonne, Blaise de Garsenc. His isolation from his Gorhautian family (and the rest of the nation, in fact) is a political matter - his father negotiated the truce which sold Gorhaut's contested northlands. And this, rather than providing the often-done motive of vengeance, provides much of the book's drive, which mingles the political and personal: Gorhaut is preparing to invade Arbonne on a religious crusade, and Blaise de Garsenc is at the heart of it. This motivational mixture also ties into the novel's themes of necessity, desire, and restriction. In short, it actually works - rather than as an excuse for angst.
Any suggestions of your own? Comments or opinions?
Comment below and tell me!